LIA MCKNIGHT
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ART PRACTICE

2020:
Seesaw, Out of Darkness
by Craig McKeough 
                                               PDF Version

Homely, Cool Change Contemporary Perth
                                                                     PDF Catalogue essay
2018:
Sensual Nature, Fremantle Arts Centre colour catalogue (hard copy available at FAC)                                    PDF Version

The West Australian, Double Edge of Nature
by Will Yeoman
                                                        PDF Version

Art Guide, A Relationship with Nature,
by Zara Sigglekow
                                                     PDF Version

Seesaw, Close to Home, interview with Nina Levy

Make Your Own Rabbithole, Bush Bathing in the Australian Uncanny by Ant Gray                                           PDF (Text only)

Seesaw, Seductive and Sensual, by Jenny Scott

The Artists Chronicle, Nature as a Sensual Entity
by Lyn DiCiero                                                           PDF version


2014:
the air around us, Paper Mountain colour catalogue                                                                                                  PDF Version

                                                                   
CURATORIAL

2020:
50fifty:2020 John Curtin Gallery, colour catalogue available at JCG  
PDF version

​2017:
50Fifty , John Curtin Gallery, colour catalogue available at JCG                                                               

2015:

Post-hybrid: reimagining the Australian self
, John Curtin Gallery, colour catalogue available at JCG   
PDF (essay only)


2008:
skin to skin - a dialogue between art and fashion, Fremantle Arts Centre, colour catalogue (hard copy available at FAC)    PDF version

2005:

bones of the skin - the denaturalisation of the body, Breadbox Gallery, colour catalogue
PDF version

I acknowledge the Noongar Wadjuk people as the traditional owners of country on which I live and work. I wish to acknowledge their continuing connection to land, sea and community and I pay my respects to them and their culture; and to Elders, past present and future.

Lia McKnight © 2024
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